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Annotated bibliography for film theory

I need an explanation for this Film question to help me study.

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Compile your bibliography. The number of sources you will need will depend upon your topic, but I recommend that you have no fewer than three and no more than six, beyond those you have chosen from our text.

Assemble and format your bibliography according to Joseph Gibaldi’s Modern Language Association Handbook for Writers of Research Papers. It is essential to the assignment that you consistently use this bibliographic style.

Annotate your bibliography. An annotation is a brief description of the text which summarizes the main issues and indicates the text’s importance to your essay. Each bibliographical entry plus its annotation should be a substantial paragraph. Your entries should be arranged in a recognizable and relevant order, i.e. hierarchically according to importance, chronologically/historically etc. You must provide me with a brief preface to your bibliography (of one paragraph) indicating your essay’s prospective thesis, a justification for the ordering your bibliography and a rationale for including the particular secondary sources you have chosen.

Topic:(CHOOSE ONE of it)

2. With reference to a specific film, compare and contrast Christian Metz’s and Laura Mulvey’s accounts of voyeurism, fetishism and identification. Which is more useful? How and why?

3. How does the Lacanian mirror stage theorize film spectatorship? Evaluate the success and application of Lacanian psychoanalysis to the writing of two film theorists with respect to cinema

?????Please find academic resources, for example, on JSTOR????